Interdisciplinary artist working at the intersection of field recording, computational translation, and physical making. Trained in sound engineering, cinematography, stop-motion animation, and procedural game design. Current practice records the rhythms of places — birds, water, built environments — and translates them through Pure Data into pen-plotter drawings, asking what happens at each step of the crossing.

• Research in Design and Communication (Master's)

  2025

  Universitat de Vic - UCC, Barcelona

  Research focus: interactive media as tools for ecological storytelling.

• Master's in Animation in Game Design

  2024

  UPC Universitat Politècnica de Catalunya, Barcelona

  Thesis: Procedural Environments as Narrative Devices in Immersive Storytelling.

• Master's in Stop-Motion Animation

  2023

  BAU, Centre Universitari de Disseny de Barcelona

  Thesis project: Recordando — a stop-motion exploration of memory and identity.

• BA, Cinematography and Film/Video Production

  2014

  MetFilm School, London

  Specialisation in visual storytelling and experimental cinema.

• Diploma in Sound Engineering and Music Production

  2008

  SAE Institute

  Focus on spatial audio and environmental soundscapes.

• Raven Drawing — Sound-to-Plotter Pilot

  2026

  Field-recorded approximately 90 seconds of intermittent raven calling; translated the recording through a Pure Data patch into spatial drawing instructions; executed on a pen-plotter. First completed pilot of the proposed practice-based PhD on cross-media translation.

• Chrysalis — Sci-fi Game

  2023–24

  Rolling Barrel Studios

  Built procedural VFX systems in Unity for an interactive environment exploring symbiotic relationships between organisms and technology. Procedural-systems experience here directly informs the Pure Data pipeline in current practice.

• Punarjanani — Animation Short ↗

  2019–21

  Directed a 10-minute animated film on cycles of ecological destruction and regeneration. Bronze medal, ONE Earth Awards 2022; selection, BNP Paribas Green Film Festival 2022.

• • Translation between media — what survives, what transforms, what unexpectedly emerges
• • Field recording and deep listening as research method
• • Computational pipelines (Pure Data, generative systems) as collaborators, not tools
• • Drawing as a record of rhythm and time
• • Practice-based research methodology; care ethics in artistic practice

• • ONE Earth Awards — Bronze (Punarjanani), 2022
• • BNP Paribas Green Film Festival — Selection (Punarjanani), 2022
• • Kalanand Art Contest — Bronze, Prafulla Dahanukar Art Foundation, 2016